In a variety of print samples, skin tones were incredibly accurate, making this an ideal portrait printer (and it’s light enough to tote to a wedding reception). The R1900 is loaded with eight cartridges-cyan, magenta, yellow, matte-black, photo-black, plus an enhanced gloss optimizer and new red and orange inks that replace the R1800’s red and blue inks.Įpson claims the new inks improve skin tones and expand the color gamut. One reason for the increased speed may be Epson’s new, faster-drying UltraChrome Hi-Gloss 2 pigment inks. In addition, it has a built-in sensor for automatic print-head alignment and nozzle checking. A colorimetric calibration of the print head at the factory helps the accuracy of color profiles supplied with the R1900 or downloaded from the Epson website. Epson says this prolongs the head’s lifespan and shortens cleaning cycles, saving a bit on ink costs over time (though we didn’t test this).
Then there are the improvements: The R1900’s permanent MicroPiezo AMC print head now has the same ink-repelling coating the more-expensive Stylus Pro 3800 has. Like its predecessor, the R1900 makes borderless prints up to 13×44 inches using roll media, handles cut-sheet and thick fine-art papers up to 13×19 inches using two paper paths, and prints on coated CDs and DVDs. According to Wilhelm Imaging Research ( color and black-and-white prints on Epson’s Watercolor Radiant White paper will resist fading for up to 200 years on display under glass, about twice as long as what Canon claims for the dye-based Pro9000.
While the Canon may make prints faster, the R1900, like its predecessor, makes longer-lasting ones. It also popped out 13×19-inch borderless prints on Premium Glossy photo paper in only 4 minutes, 20 seconds - much faster than the R1800 (6 min, 48 sec), though still not as fast as Canon’s Pixma Pro9000 (2 min, 27 sec). We say that based on the print and performance results we got in the Pop Photo Lab, where the R1900 set a new record for color accuracy and wide color gamut. Not only does it replace the popular, and aging, Stylus Photo R1800, but it may eat into sales of the Stylus Photo R2400 ($700, street). Given that a size such as 16"x12" will cost £4.99 from an online store like Bonusprint, being about to print approximately the same size for £1.62+paper is really quite economical when it's put in those terms.Isn’t it great when a company puts out a product that’s not only better than the one it replaces, but superior in some ways to higher-end models? Take Epson’s new Stylus Photo R1900 ($530, street). No clogging issue worth reporting in almost two years. I tend to leave my R1800 on all the time, too, and it often spends days not printing anything. Ink costs for an A4 is currently running at 81p, and for an A3 it's £1.62 (no surprise as it's double the area). Initially I did mostly glossy work, now it's about 50/50 glossy/matte. I've been logging my ink usage for about 20 months now. I also leave my printer online permanently and ive The anoyance of head cleaning sucks plenty of ink out from allĬartridges. I would probably change both the black and Cyan at the same time as
I primarily print A4 Archival Matt and usually find my Matt BlackĪnd Cyan run out first, to give an idea my ink tank status below isĪfter a few A3 prints on Pearl Gloss, a full pack of 50 A4Īrchivall Matt, and around 15 into my new A4 pack.
I would have said in the UK it costs me around £0.80 per page usingĪ4 Archival Matt paper, for an A3 print about £1.50.